Why is Revolution not possible in Mumbai?

For quite some time people have been wondering, that in spite of some recent inspirations of revolt, why is it there is no such revolution in Mumbai. Is it that we don’t have reasons? Well we don’t have despots, but there is no dearth of reasons.

The pathetic roads, the three-wheeled menace called autos which don’t want to ply wherever the passenger wants to go, the apathetic government and its never moving machinery, terror-strikes and Rs. 9 lacs/day expense to keep the killer alive, student politics which tells us what to read and what not to in colleges, our moral keepers telling us which festivals to celebrate and which plays not to watch, etc. etc.

The above were just a few which fell off my head without having to rattle it. Coming back to why we can’t have such revolutions.

First we are too busy during the week-days. Breakfast, office, Boss and back home to another boss with travel thrown in between, who has the time? Week-ends, is for household work, men-in-the-kitchen-days, fitness, grocery, children’s skating classes, movie, mall, phew! who has the time again?

Then of course we have the famous ‘chalta-hai’ attitude of ours coupled with ‘what can only I do?’ feeling. Whatever happens to others will happen to me.

With the World Cup on, are you mad to waste time for such things? There is no religion bigger than cricket and after all the condition isn’t that bad, is it? Everything in life can wait.

Finally, and probably the main reason – lack of a Square in Mumbai. Cairo has Tahrir Square, Libya has Green Square and Bahrain has the Pearl Square. Mumbai has no square left, except that little tile on the floor! Have you ever thought that to revolt, just where are the people going to meet in Mumbai?

We have to revolt in blocks. One for the SoBo (South Mumbai), the other for the Western Line, probably in Bandra, then we will need one for Borivali too. I am sure we will not argue on the East vs. West as we aren’t that bad shirkers of responsibility! Then we need one in the Central Line and yet another in Navi Mumbai. Can you imagine a unified revolution in Mumbai at different locations, close to people’s residences or workplaces, to be conducted on week-days, with enough vada-pav and Frankie stalls thrown in?

That’s tough……and that’s why we cannot have a revolution in Mumbai, even though we need one very badly!!

Lord Shiva’s Wedding Procession

It is said that when Shiva’s marriage with Parvati was finalised, like all grooms he too was invited with his relatives to the brides place on the day of the wedding.

Since Shiva had no relatives as such, he is supposed to have asked all his friends and acquaintances to accompany him. Since his friends were not from the ‘mainstream civilisation’ of the times, the wedding procession was quite a site. It also reflected on Shiva’s far from homely lifestyle, which to everybody’s horror was definitely horrifying, to say the least.

His wedding attire was tiger-skin for dress and a snake for a necklace. He had ashes smeared over him, and his unkempt hair in matted locks! He was sat atop his vahana, the Nandi bull and the whole sight was a far cry from what any bride’s family would have preferred to see. The members of the wedding procession too were worth a sight. Shiva was accompanied by ghosts, goblins, gnomes and all sorts of weird creatures from the crematorium, where Shiva spent most of his time. Many of them were bedecked with skulls and bones and some of them were smoking hemp!

When the procession reached the doors of Parvati, all the women-folk who had gathered to greet the procession ran away in fear. Parvati’s mother, Menaka, refused to greet such a hideous crowd and a semi-drunk groom! It took a lot of cajoling from Parvati for Shiva to look more worldly and pleasing at least on the wedding day. So to conform to the societal norms, Vishnu and Brahma who were part of the procession, and other gods got together, bathed him with perfumed water, and adorned him with gold, silver and gems! With proper dresses and combed hair, he is supposed to have looked more handsome than Kamdev himself, thus making him more acceptable to his would-be-mother-in-law, Menaka, who was too happy to wed her daughter to the erstwhile mendicant!

 (A 1955 Hindi film, Munimji, has a song ‘Shivji bihane chale palki sajaaike………’ which describes the entire episode very beautifully.)

Shiva’s marriage to Parvati was his second marriage. Earlier Shiva had married Sati, in which Sati had followed Shiva to Mount Kailash and after getting his reluctant consent, had married him. This was more of Shiva giving in to Sati’s worship. This did not make him any more husband than what he already was. He more or less remained the same ascetic and yogic that he was prior to Sati coming to Kailash. He remained far from the society and the worldly ways of life and Sati was content being his wife, nothing more.

But in the second instance, Parvati insisted that he come and wed her in the most proper manner. Shiva and Parvati were to be a worldly couple and the two get married by the Vedic rites, performed by none other than Lord Brahma himself. This was Parvati’s way of educating Shiva, the acceptable norms of a worldly society of which she was a part of and this time; unlike in her past form of Sati, she did not want an ascetic and a yogi for a husband. She wanted a worldly man with all the emotions and longings for a woman. She wanted children, a family and a loving husband. This can also be seen as taming of Shiva in worldly ways. She was going to be his Shakti (power) and the two together would signify the male and female principle of the cosmos.

Hereafter, the saying शक्ति के बिना शिव भी शव के समान हैं meaning ‘Without his Shakti, Shiva is nothing but Shava (corpse)’, would have its true meaning.

Norse Mythology – Ragnarok

Ragnarok, (meaning “Twilight of the Gods” in Old Norse) in Norse mythology, was the predestined death of the gods. A three-year winter (Fimbulvetr meaning “Extreme Winter”) led to a final battle, where the gods and the frost giants fought the epic final battle. Ragnarok marks the end of the old world, and the beginning of the new, current world.

Odin, who had previously attempted to prevent Ragnarok from occurring, led the gods. They were assisted by the heroic dead, those who had died in glorious battle and had been taken to live in Valhalla and await the final battle. The frost giants were led by the fire god Loki and assisted by the unworthy dead who came from Hel, and by other monsters.

The wolves Guilt and Hate catch the Sun and the Moon and swallow them. The stars disappear and the earth is dissolved in total darkness. The World Serpent who had been gnawing at the roots of the World Tree emerged from the waves, spewing poison all over the world, leading to a gigantic flood on earth. As the sea came to engulf the land, on it came a ship with Loki leading a group of giants. The ship was supposed to have been built out of uncut nails of dead men.

Odin knew that the end was near. During the massive battle, he gets swallowed by a giant wolf, which gets later gets killed by Odin’s son, as an act of revenge. Thor goes out to battle and manages to kill all, including the, but was overwhelmed by its deadly poison, which killed him ultimately. One by one all the gods and goddesses fell like nine pins and soon all gods and humans had perished after a pitched battle between the gods, giants, mortals and forces of nature.

 

Ragnarok is a scene of chaotic violence in which the fate of all races, all beings, is decided. The halls of the dead are emptied, as is the plain of Hel. All who have died, whether honorably or not, are brought back for a violent war. All creatures and races alive during that time are drawn to the field of battle and will fight, and die. All the gods and giants appear, and fight and the far majority of them die. Every human being except for two (which also means every single human in the culture who listened to this tale) die. Even those who were raised from Valhalla die again.

The picture of intense cold as a background for mounting fire and smoke rising to the stars, in conjunction with a tidal wave which engulfed the inhabited land, may have drawn much of its vigour and terror from such remembered catastrophe.

But as they say, every cloud has a silver lining. Amid the destruction, two humans were saved as they had taken refuge in the World Tree, who go on to start the world all over again.

The myth of destruction could have its influence from many Eastern myths, where a myth of destruction has been a common feature. This could have been used to depict the end of the Viking era, though one can’t deny the influence of the pre-Christian myths of destruction too.

Ragnarok is based on a famous poem Voluspa. Voluspa itself may have been inspired partly by the experience , either first hand or from vivid accounts from those who had witnessed it, of a major volcanic eruption in Iceland, such as we know took place at frequent intervals in historic times.

Uncle Pai

Everybody’s favourite Uncle Pai is no more. He has got a call from the gods, after telling us their stories for more than 5 decades. May his soul rest in peace.

Anant Pai, Uncle Pai to millions, was the creator of the famous Amar Chitra Katha (ACK) and Tinkle comics. Way back in the late 60s, he started the ACK series when he saw a quiz programme, in which Indian children could answer questions from Greek Mythology, but could not give the name of Rama’s mother.

Thanks to him millions, like me, could lend faces to the numerous gods and demons from our mythology. A fair-complexioned Ram, bluish Krishna, doe-eyed goddesses and dark coloured demons, he etched the characters in every impressionable mind with such ease. My initial familiarity with Indian Mythology was thanks to Uncle Pai. The numerous myths associated with our mythology, sans all the intricacies was so beautifully told, that a child’s mind would crave for more. It is this craving that made some of us go in for further reading and exploring more of our mythology.

With time, ACK added to its repertoire freedom fighters, philosophers and even events like the Jalianwala Bag tragedy, etc. The content was just right for a young mind which gave one both the knowledge and awareness along with the appreciation of one’s heritage and history. In a world of Walt Disney comics, Phantom and Mandrake series along with Tintin and Asterix, ACK stood its ground and I dare say, stood way above all of them.

On his passing away, I on behalf of millions of Indians would like to salute him. Once again, May his soul rest in Peace.

Norse Mythology – Construction of the Wall of Asgard

The story goes that once a man by the name of Hrimthurs claimed to the gods that he could build the walls within a single winter, but for a price. If he completed, then the gods would have to give him the Sun and the Moon for compensation as well as Freyja for a wife. 

Loki was convinced that he could never finish them on time and got the gods to accept the wager. What the gods did not know was that Hrimthurs could do so, since he wasn’t a human. He was actually a giant and had a magical horse called Svadilfari. This horse could move huge blocks with magical ease.

When the winter was just about coming to an end, Hrimthurs had nearly completed the task on hand. The gods realised they were in trouble and that they would have to part with the prised possession of the Sun and Moon and above all, the goddess Freyja. All the gods approached Loki to bail them out, since it was anyway he who had convinced them into this.

Loki, true to his self, changed himself into a beautiful mare and went on to distract Hrimthurs horse, Svadilfari. Svadilfari began to chase Loki who was in the form of a mare, leaving Hrimthurs to fend for himself! Without the horse, he could not complete his task and lost the wager. When Hrimthurs come to know of the truth, he threatened to destroy his work, and in his rage, he lost his disguise, revealing to all that he was no human but a giant.



Odin Riding the eight-legged Sleipner



 Thor was very angry at this and struck him with his mighty hammer, killing him instantly. Few months’ back Loki brought to Asgard an eight-legged colt named Sleipner, which was the offspring of Svadilfari and Loki as the mare. Sleipnir became the magical steed of Odin when it grew up and was a constant companion of Odin.

This Nordic myth has similarities to the Indian myth of amrut-manthan, where the demons disguise as gods to drink the nectar (as compared to the giant disguising as human here) to achieve immortality (here to gain the Sun, Moon as well as goddess Freyja). In the amrut-manthan, Vishnu disguises as Mohini to distract the demons, and here we have Loki disguised as a mare to distract the giant’s stallion. Just as the union of the horse and Loki as the mare gives birth to an eight-legged horse, Sleipnir, which becomes dear to Odin, in amrut-manthan we have seen, how the union of Shiva and Vishnu as Mohini gives birth to Lord Ayappa!