Radha Krishna – A Divine Romance

On a day when love is in the air (besides being at the florists, the jewellers and all sorts of gift shops), it would be sacrilegious to talk of anything, but love. A romantic love story of mythical times, may be? Amongst all the love stories, it is that of Radha-Krishna which comes to my mind and why not? Radha-Krishna and their love has been a subject of much reverence as well as ridicule. The modern times sees the escapades of the two through the coloured glasses and with a wink of the eye.

So what is it about them, which though scandalous at times, grandparents do not shy away from sharing it with children? In a closed society like ours, why has such romance between the two been allowed and venerated? Even though the typical pictorial representation of Radha and Krishna has never showed the difference of age, it is well known that Radha was both older than Krishna as well as married.

To begin with who exactly was Radha? Some say she was Krishna’s maternal uncles wife (his maternal aunt to be precise), whereas some say she was just another, but a favourite gopi (milkmaid). Radha was considered to be the daughter of one Vrishbhanu and that she grew up in Barsana. Nothing much seems to be mentioned about her childhood. The most important thing to note is that there has been no mention of Radha as a character in any of the ancient literatures, be it Bhagavata, or the Vishnu Purana or Harivamsa or even the Mahabharata. There is no trace of Radha in any of the main texts even though Krishna is a prominent personality in all of them. Radha first appears in the Brahmavaivarta Purana but is not available for any significant reference.

Radha was brought into prominence by Jayadeva, the author of Geet-Govinda, around 12^th century CE. Jayadeva was from a village in Orissa and was the court poet of the-then King of Bengal, and wrote this poem during his alleged relationship with a devdasi, Padmavati. He is later supposed to have married her. His inspiration was both his personal love affair as well as his spiritual quest. The poem explores the relationship of Radha and Krishna in all the elements of a relationship, which is both a divine and an erotic exploration, with all the aspects of love. The poem brought in a momentum in the Vaishnav sect of the times and soon Bengal saw a series of spiritual writers like Vidyapati and Chandidas writing on the relationship of Radha and Krishna. Radha was on her way to deification.

The relationship raised eyebrows and the eroticism was more than evident. What did all this imply, especially when all know that Krishna’s stay at Vrindavan was part of his childhood? This divine relationship is to be seen through metaphysical glasses and it is then that the beauty of it all is so evident.

The root of the word Radha is ‘Radh’ * implies worship, adoration. To take this further, anyone who worships or adores Krishna is Radha. It seems that Radha was more of a concept than a person. The aspect of her love defines the love for god. Selfless devotion, not craving for a name to the relationship and forgetting herself in him, was the main aspect of this kind of devotion. Radha’s love did not arise out of a compulsion of being god-fearing, she loved Krishna in an absolute terms. It was not a love of subjugation, but a love of equality.

Another aspect of her love is the age factor, especially the difference. To see this in a different angle, god is ageless, so Krishna being a child was of no major significance. Needless to mention that even at that age, some of the acts performed by him were beyond his age. Radha being older is to be seen as her being an adult who knew what she was doing. This took the relationship beyond the realm of infatuation. One could not submit to someone without knowing what one was doing, and her being an adult made it more acceptable, than if she was portrayed as a child.

Finally, Radha being married was to be seen as someone who was married to the societal norms and responsibilities laid by the society at large. Her seeking Krishna was someone seeking redemption by being within the society and without shirking her immediate responsibilities. Nowhere do we get a sense of her marital life being unfulfilled.

This relationship defined a spiritual quest of a different kind. This was a love of equals and here god is treated at par. Krishna was not a god and Radha was not a goddess. I would end with a beautiful myth which epitomises the relationship. Once, the gopis, who were jealous of Radha, took boiling milk to her asking her to drink it as requested by Krishna. Radha gulped down the milk and got back to her work, which surprised all of them, but left without saying anything. Later when they met Krishna, they saw that he had burnt his mouth and throat! This could be stuff of poetic fantasy, but it epitomises the divine relationship.

This love story is not for all to tarnish, but to see the deeper meaning in the romance. At the cost of repetition, I must add – in myth lies the message.

Happy Valentine’s Day!

* ‘Krishna Charitra’ – By Bankim Chandra Chatterjee

The Sphinx

The moment someone speaks of Egypt, immediately two monuments come to our mind – the Pyramids and the Sphinx. With Egypt in the news for all the wrong reasons, I thought of discussing about the famous Sphinx, even though, it is found in places beyond Egypt.

Egyptian Sphinx

The Sphinx is a mythical creature which is half human and half animal. In Egypt, it has a body of a lion and the head of a human. It was a prominent figure which was known to guard the temples, palaces and the pyramids along with the secrets of the temples. The Sphinx was supposed to be a later day manifestation of the ancient Hathor, the goddess of birth and death. It was also supposed to be the guardian of the distant horizons, and faced the East, i.e. the rising Sun. It was a prominent figure of solar worship that existed during the ancient culture.

There are no major myths associated with the Sphinx, and today it exists more of a structural marvel. However, in some depictions it is shown as crushing some objects under its feet, used to depict the crushing of Egypt’s enemies. It is worth mentioning, that there has been intense speculation over the broken nose of the Sphinx. Some say, that it was broken by cannon ball struck at the nose by Napoleon’s soldiers, when they had attacked Egypt in 1798 (uncertain date). Some Egyptian historians attribute the loss of nose to acts of vandalism by Muhammad Sa'im al-Dahr, a Sufi fanatic, who was outraged when he saw some Egyptian farmers making an offering to the Sphinx for want of a good harvest.

Greek Sphinx

The Sphinx existed in the Greek mythology too, except that it did not hold a place of veneration, like it did for the Egyptians. The Greek Sphinx had the head of a woman, the body of a lioness and the tail of a serpent. She was evil and guarded the gates of Thebes and asked a riddle to all who wanted to enter the gates of Thebes, failing which they would be devoured. This Sphinx features in the tale of Oedipus and she repeats the riddle to Oedipus too. The famous riddle was – Which creature in the morning goes on four legs, at mid-day on two, and in the evening upon three, and the more legs it has, the weaker it be? To this Oedipus was supposed to have answered – Man - who crawled on all fours as a baby, walked on two feet as an adult, and then used a stick in old age. On hearing the answer, the sphinx is supposed to have killed itself, thus freeing Thebes of the menace of the Sphinx. However, the Greek Sphinx was a greedy and an evil creature, and does not find any mention elsewhere.

Purushamriga

In India, there exists a sphinx like creature known as Purushamriga, meaning man-beast. It is found in many South-Indian temples and is engraved at the entrances of the temples, whose main duty is to take away the sins of the people who entered the temples. Sometimes such figures are also found near the entrance to the sanctum-sanctorum of the temples. The Greek Sphinx is also quite similar to the Sharabha form of Lord Shiva (please refer to the article   dated 29/12/2010 from the Archives). It is important to mention that one should not confuse the Sphinx with the Narasimha (avatar of Vishnu), which is an exact opposite. The Narasimha has the body of a male and the face of a lion as against all the Sphinxes that we have been speaking about.

Sphinxes are also found in many of the Buddhist art forms in some of the South-Asian countries like Philippines, Thailand, Burma and even Sri Lanka. The Sphinxes are also found in the Freemasonry architecture. But it is definitely the Egyptian Sphinx that remains as such overbearing sculptures or landmarks which has captured the mind-space of each one of us.

Maat – Egyptian Goddess of Truth and Justice

Maat, in Egyptian language literally means ‘truth’. Maat is the Egyptian goddess of Truth and Justice. Besides truth and justice, she also represented law, order and a sense of balance. She was also credited by bringing a sense of stability to the universe, post creation. She was considered to be the opposite of Isfet who was credited to represent chaos, deceit and violence, all things that destroy the balance or equilibrium.

She has been depicted as a young woman with an ostrich feather as her headgear. She was considered to be the daughter of Sun-god, Ra and was the female counterpart of Thoth, who was the god of wisdom and learning. Together with Thoth, both represented divine wisdom and all aspects associated with it.

According to the Egyptian mythology, after death, Maat acts as the judge of morality. She would weigh the soul of the dead against her ostrich feather in a scale, and if the soul balances against the feather, then the soul reaches paradise. If it weighed heavier than the feather, a sign that it was a soul which harboured evil deeds, then it would be given to the crocodile headed goddess Ammut (some say she was lioness-headed), who would devour it and would be relegated to the underworld. This way the Egyptians believed that there would be balance, and just as the good would get rewarded, the evil would get punished. The concept of punishment after life is akin to many other cultures, including Hinduism. She was also said to regulate the movement of stars and the seasons, again leading to a sense of continuous change with balance at the core of all her activities.

The Pharaoh’s of the later day were often shown with the symbols of Maat, as they were seen as the upholders of the principles of Maat. Judges were also referred as ‘priests of Maat’. Many feel that Maat was less of a goddess and more of a concept. The concept of balance leading to equilibrium was passed on to the Greeks during the reign of the Greeks over Egypt. Many also feel that the present day image of the blind-folded Lady of Justice, holding the balance as the image of justice is a modern derivative of the Egyptian Maat.

                                                                                           

Unfortunately, Egypt today is fighting for the same, balance and justice.  The priest of Maat, who is sitting in judgement, has been sitting for too long now, and the children of Egypt feel that balance is tilted. The lack of equilibrium in today’s Egypt shows that the much needed concept of truth and justice is being thrown to the winds. Maat is much in need, and the sense of balance and justice and the resultant equilibrium needs to be restored soon.

Vasant Panchami

Vasant Panchami literally means the fifth day of the spring season (vasant ritu). This day is also considered as the day of Goddess Saraswati, the Hindu goddess of learning and wisdom. In earlier days, pre-school children were inducted to schools on this day, or were made to write from this day. In a country where education is a religion, this day has its own importance. In the Eastern parts of India, every household which has children in schools or colleges perform Saraswati Puja, besides the community ones held on this day.

Saraswati is the consort of Lord Brahma, the creator of the universe and the originator of all knowledge in the form of Vedas. In the eastern parts of India, Saraswati is considered to be the daughter of Shiva and Parvati. She is clad in white, symbolising purity. The vahana or the carrier of Saraswati is a white swan and this too has its own significance. The swan is supposed to have the ability to separate water from milk, signifying that learning and wisdom enables man to distinguish good from bad.

Mythologically, Saraswati is the sister of Goddess Lakshmi (goddess of wealth), but both are considered to be poles apart. Saraswati is permanent, where is Lakshmi is temporary (chanchala – fidgety, and thus does not stay anywhere forever). Worshipper of Saraswati is blessed for life, but the worshipper of Lakshmi is wealthy till the whims of the goddess.

Saraswati has her counterparts in other mythologies too.

Athena

According to Greek Mythology, Athena is the goddess of wisdom and learning. She is the daughter of Zeus and is credited with inventing the flute, which symbolises her association with music and other fields of arts and craft.

Thoth

Besides the goddesses, the Egyptians had Thoth as the god of learning. Thoth was also associated with wisdom, writing, speech, etc. He was the chief counsellor to Ra, the King of all gods.



Odin



Odin was the god of wisdom in the Nordic mythology. He is supposed to have hung on the tree of knowledge pierced by his own spear to gain knowledge and wisdom. He is always depicted as one-eyed, as he is supposed to have traded his other eye for a drink from the Well of Wisdom, which enabled him to gain immense knowledge.

 Though there are many other mythologies which have gods and goddesses of wisdom, learning, poetry, arts, music, etc., the above are deities who are primarily associated with aspects of knowledge and wisdom.

We surely do live in times of dichotomy. Lakshmi or Saraswati? Wealth or Wisdom? To acquire wisdom, we need wealth, and the moment we acquire wisdom or learning, our objective turns to earn wealth. Somewhere, or the other, the pursuit of Saraswati seems to be to acquire Lakshmi. Serious worshippers of Saraswati have humble dwellings, and worshippers of Lakshmi live in palaces. Teachers travel in public transport while students come in chauffeur-driven cars. In the land of gurukuls and unflinching devotion to teachers, one needs to be a strong worshipper of Lakshmi to attain the blessings of Saraswati! Once the blessings of Saraswati are acquired, it’s time to appease Lakshmi again!

If this is not a serious dichotomy, then what is?

Why was Narada Muni a Bachelor?

According to a myth, once Narada Muni’s meditation could not be disturbed even by Kamdev, the god of love. Narada Muni overheard someone say that this made him bigger than even Lord Shiva, since Kamdev had managed to disturb Shiva and his meditation was disturbed by him. This comment went to Narada’s head and he started believing that he was superior to Lord Shiva.

Since Lord Vishnu was concerned of his favourite disciple’s pride and arrogance, he decided to teach Narada a lesson in humility. Vishnu requested his consort, Goddess Lakshmi to take the human form of Srimati, the beautiful daughter, of King Ambarish. During one such visit to the King Ambarish’s palace, Narada saw Srimati and instantly fell in love with her and expressed his desire to marry Srimati. King Ambarish though did not prefer the match, could not say anything to Narada. So he agreed to host a swayamwara and let Srimati choose her husband.

Narada immediately went to Lord Shiva and asked him as to what should he do, so that Srimati selected him. Shiva said that if he could look as handsome as Vishnu, then, Srimati might notice him and for this he should meet Vishnu himself. Narada went to Vishnu and requested that he look as good as Vishnu to enable Srimati select him. Vishnu smiled and decided to play a trick on Narada.

On the day of the swayamvara, Narada got a monkey-face, without his realising this. When Srimati came with a garland in her hand, she saw no Narada Muni but a monkey-faced man. However, next to him was a handsome man calling her out. Srimati immediately garlanded him and before anybody could realise, both Srimati and the handsome man (who was none other than Lord Vishnu) had vanished in thin air.

When Narada saw his reflection in water, he was angry and felt cheated. He then cursed Vishnu that a time would come, when he too would have to be separated from his love, and at that time, it would be a monkey, whose help he would have to take to get his love back! I will spare you all the story of Ramayana!

However, Narada had also learnt his lesson and since then he shed all his pride and arrogance and decided to remain unmarried. Because of this episode, Narada Muni is also referred to as Kapi-Vaktra or monkey-faced.