A Blog on Mythology and occasionally on Reality.


This is a Blog on Mythology, both Indian and World and especially the analysis of the myths.

In effect, the interpretation of the inherent Symbolism.


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Wednesday, July 20, 2011

Shakuni

Shakuni was considered to be the villain of Mahabharata. He instigated Duryodhan and constantly plotted against the Pandavas. But is this the whole truth? Did he do all this out of devotion to his sister’s clan or was there something else? Was he inherently evil as we know him and have seen in popular depiction, clad in black robes and wearing an evil look and an impish smile?
Shakuni as represented in Kathakali
Dance Form
Shakuni was the brother of Gandhari, the wife of the blind king Dhritarashtra of Hastinapur. Shakuni has also been referred to as the King of Gandhar, a region smaller than Hastinapur. It is said that Shakuni was angry and felt insulted when Bhishmapitamah brought the matrimonial proposal of the blind Dhritarashtra. In those days, refusing the proposal would have been suicidal for the region and they were left with no choice but to accept it. To add fuel to the fire, Gandhari, Shakuni’s sister, embraced darkness for life. Shakuni felt vindictive and decided to avenge the insult to Gandhar and his father, King Subala, by ruining the entire Kuru clan of Bhishmapitamah who was the proud guardian of the kingdom. But this he could not do by waging a war against them as Gandhar Pradesh was too small in comparison to Hastinapur. He decided to live with them and eat into the system and destroy it from within. Just as a rat destroys cloth, for the sake of destroying, not because it wants to eat it, Shakuni became the rat in Hastinapur and kept Duryodhan under his tutelage and kept fanning his ambitions and stoking the fire of jealousy and ambition alive in him, till the entire extended family was brought to a naught. This is the version according to Ved Vyasa or at least a popular explanation of Shakuni’s behavior.
There are some other versions to his evil. According to a version (which does not find space in Vyasa’s version), Gandhari’s stars foretold that she would be a widow as soon as she married, but if married again, her second husband would survive. So her father got her married to a goat and killed it soon after, which made her a ‘widow’ in technical terms. Later, when Dhritarashtra comes to know about this, he waged a battle against the kingdom of Gandhar and took King Subala, along with his 100 sons as prisoners. As prisoners all of them were given just a handful of rice to sustain. The King realized that this way all of them would meet their end soon. He then decided that all would sacrifice their portion for one of them to eat, who should live on to avenge this insult meted out on them. The son selected to carry on living was Shakuni. After his father and all the brothers had died one by one, Shakuni was released on the request of Gandhari and he then came over to Hastinapur and continue his task that his father and brothers had given him.
There is an interesting story on the selection of Shakuni to take the task forward. King Subala of Gandhar wanted an intelligent son to survive to avenge the insult, so to test them, he gave each one a bone and asked them to put a thread through it. None could do it, except Shakuni, who tied a thread to an ant who went through the bone to reach the other end, to eat a grain of rice which was tied to the other end of the bone!  One by one all the brothers died and so did his father and it is said that the dice that Shakuni carried with him was carved out of his father’s thigh bones. The dice constantly reminded him of the insult and his objective entrusted on him by his family.
In all the negative qualities associated with Shakuni, a very important quality of his has been overlooked. Shakuni was a very good judge of human nature and character. He knew well about Dhritarashtra’s lust for monarchy and his inability to hold on to it due to his lack of vision, both literally as well as figuratively. He was aware of his nephew, Duryodhan’s hatred for his cousins and his ambition to become the King and continued to fan the flame of hatred in his heart and mind. He was also aware of Yudhishtira’s weakness for gambling and knew that Yudhishtira would give in to the slightest provocation and that is what he ensured during the dice-game. He was also well aware of Krishna’s love and support for the Pandava’s and also recognized the fact that Krishna was the only match to his guile and intelligence in the Pandava camp, and ensured that all the wrong meted out to the Pandavas occurred in Krishna’s absence. One can see these examples as evil intentions, or as smart strategist who moved towards his personal objective in a slow, but steady pace.
Popular notion sees Shakuni as the villain, but was he really one? Wouldn’t any individual with slightest of self-respect feel insulted if a matrimonial proposal was sent for his daughter/sister from a person who is not only ineligible but also handicapped? Who would not feel insulted if such a proposal was given to them, just because it was not in their power to decline? Was this not exploitation of one’s superiority? Did Bhishmapitamah not know the inadequacies of Dhritarashtra, who though elder of the family was not eligible to be the King? Was the matrimonial alliance not being sought after more for physical and political reasons rather than simple matrimony? With all this and more, what else can a relatively weaker person do, if not act like a termite and eat into the system, to avenge his insult? This is exactly how rebels are created due to acts of insult, injury and oppression. The case of Shakuni was no different. In the light of such acts by the mighty stalwarts and guardians of Hastinapur, was Shakuni really a villain?  
Shakuni was later killed by Sahadev in the battle of Kurukshetra.

Monday, July 18, 2011

The Myth of Baba Dhokal

During one of my recent visits to Ahmedabad, Gujarat, I came across a rain myth. As mentioned earlier during the myths of Rain (See articles dated June, 7, 9 & 10, 2011) there are a number of general and local myths associated with rain. They could be the causes of rain or myths related to the need to rain. Sometimes they are also associated with causes of no-rain. This one is associated with no-rain.
This is a myth which is called the myth of Baba Dhokal. Sultan Ahmed Shah, who established the city of Ahmedabad, needed four Ahmed’s (meaning holy souls) and twelve saints to be a part of the ceremony to establish the city. Baba Dhokal, better known as Hazrat Sheikh Mahmud Chishty, who was a renowned Sufi saint of the times was chosen to preside over the ceremony. The myth is regarding him.
It is said that soon after the establishment of the city, the city did not receive rains. So people went to him and requested to do something to get the rains. On their request, he started chanting 'Baba Dhokal, varsad mokal' (Baba Dhokal, send rain), and according to the myth, the city received rains soon after. People were so pleased with his efforts that they made dhokla’s (a steamed food item, very commonly found in Gujarati cuisine) and distributed amongst the poor and needy. It is said that even today, when people fear a drought-like situation, they throng to his burial and chant 'Baba Dhokal, varsad mokal' and also distribute dhokla’s to all.
This is a small and localized myth associated with a person whose burial can be found in the city of Ahmedabad (in the Madhvpura area). He was no god and no imaginary character but a person who was living till about 600 years ago (the city was established in the year 1411). This is a case in point of the strength and importance of myths in our country and the universality and occasional secularity of the same.
(Why has the name Baba Dhokal been associated with the Sufi saint and its association with dhokla’s is unknown.)

Saturday, July 16, 2011

1st Anniversary

Today is the first anniversary of this Blog and I am feeling as proud as any father does when his child celebrates her first birthday! On this day I look back with nostalgia and pride. Nostalgia, because it seems like just yesterday when the word Blog was a techno-phrase for me and a touch-me-not subject for me. Pride, because I have said so much and on so many things and so many people have read it. To get statistical, my Blog has got close to 29,500 hits in the last 8 months (I got the Total Pageviews widget working after nearly four months of the launching of the Blog).
On this day, I feel like a celebrity, so let me make the most of my brief flirtation with self-imposed-stardom and true to my role, here’s my Thank-you speech –
y     I would like to say thanks to my wife who first suggested that I should write instead of ‘talk so much’ (that way she would have a choice to read or not!)

y    I would like to thank my friend who suggested that I should Blog, someone might notice my writing and give me an offer to write a book (No I did not fall for that, but I took it up nonetheless)

y     I would like to thank all those correspondents and editors who did not revert back to my suggestions for writing for them (I guess that’s why they are unknown editors and not well-known authors – they don’t know what is good writing!)

y     I want to thank my friend who forwards my articles to all his friends (I think he has the best taste in literature and should be the next editor of Times of India!)

y     I would like to thank all my friends and well-wishers for telling me I write well and should keep writing (but I wonder why they tell me not to write long pieces?!? Oh hell I don’t need to have all the answers; after all ignorance is bliss!)
Here’s saying a big thank you to all who read and commented and also to those who read but did not comment. If the Blog has added to your info-base, then I am happy.
So keep coming back and reading and send in your requests and suggestions.
Thank you all once again!!

Friday, July 15, 2011

Guru Purnima

गुरु ब्रह्मा गुरुर्विष्णु: गुरुदेव महेश्वर:
गुरु साक्षात्परब्रह्म तस्मैश्री गुरुवे नम: ।।

The full moon in the month of Ashad is observed as Guru-Purnima. However, this day is also known as Vyas Purnima. On this day Ved Vyas is remembered for his enormous contribution to ancient literature. Ved Vyas is credited with editing and arranging the four Vedas and also having written the eighteen Puranas, besides the Mahabharata.

In the times of the Gurkul, the Guru was paid respect on this day was literally worshipped and offered obeisance. A Guru in the Indian tradition is God on earth.

According to a shloka from Brahmanda Puran

A Guru is Shiva sans his three eyes,
He is Vishnu sans his four arms
He is Brahma sans his four heads.
He is parama Shiva himself in human form

A Guru is not just who teaches you but to widen the scope of the word, s/he could also be someone who guides you through the different walks of life. S/he could be a friend, philosopher and guide. The Mahabharata refers to Dronacharya, Kripacharya and even Parshuram as Guru’s to different heroes, but wasn’t Krishna a Guru too? He guides Arjun during the war and delivers the great song of life, the Gita. Even today, modern day thinkers find relevance of what was said then in Gita then.

On this day, it is good to pay respects to all who have taught you and guided you through the journey of your life. Treat this as a Thanksgiving Day for your teachers and guides.

To conclude, many pseudo-spiritual gurus have changed the meaning and relevance of this day, but we don’t have to succumb to those attempts. Let us all identify our own Guru’s and pay respects, even if it means a silent wish for some, do so.

Wednesday, July 13, 2011

Vithoba of Pandarpur – Pundalik

Last time we read about Vithoba and Rakhumai and their association with Vishnu. We will now discuss about Pundalik, a devotee of Vithoba. There are a few stories associated with Pundalik.
According to one of the myths, an ascetic by the name of Pundarika (same as Pundalik) was a devotee of Lord Vishnu and was dedicated to the service of his aged parents. It is said that pleased with his devotion, Lord Krishna (again a form of Vishnu) came from the Mount Govardhana along with his cows to graze and meet Pundarika. Krishna at that time was in described as wearing a headdress made out of peacock feathers, with his hands on his hips and his cow-stick between his thighs. Pundarika, moved by the divine sight, requested Krishna to stay on at the site, which was at the banks of the river Bhima, as that would make the area a sacred place or a tirtha-sthana. The location is today identified as Pandarpur which is at the banks of river Bhima and the description of Krishna matches with the image of Vithoba at Pandarpur.
Another legend has it that Pundalik who was devoted to his parents, started neglecting his parents after his marriage since he had madly fallen in love with his wife. However, a sage made him aware of his folly and he felt guilty of what had happened and re-dedicated his life to the service of his parents. Meanwhile Radha, came to visit Krishna at Dwarka and sat on the lap of Krishna and did not even acknowledge Rukmini who was the queen of Krishna. As if this act by itself was not offending enough, Krishna did not even find Radha guilty of the act. Rukmini took offence to this and left the palace and went to the forest of Dandivan which is near the modern day Pandarpur. Later Krishna who was saddened by the absence of Rukmini went to Dandivan in search of Rukmini and later found her resting near Pundalik’s house. After a lot of coaxing and cajoling, Rumini agreed to return with Krishna. They then went to visit Pundalik who was busy taking care of his parents. On hearing Krishna, he threw a brick outside and asked him to wait and rest on it till he is done with his parents. Krishna stood and waited and it is said that on the request of Pundalik Krishna remained on the brick with Rukmini as Rakhumai.
Both the myths have very simple rustic origins, which imply that Vithoba was a local deity who in due course of time got assimilated with the larger Hindu pantheon. The larger association of Vithoba, with Krishna and thus Vishnu proves the ‘long-distance’ association with the mainstream gods. However, the local flavor has not changed and the rituals and the legends still bear testimony to the same. The legends of Pundalik also gives moral messages of taking care of aged-parents as that seems to be the underlying theme in both the above mentioned variants of the myth. Thus the myths have both religious as well as moral undertones.