A Blog on Mythology and occasionally on Reality.


This is a Blog on Mythology, both Indian and World and especially the analysis of the myths.

In effect, the interpretation of the inherent Symbolism.


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Thursday, October 6, 2011

Shastra Puja on Vijaya Dashami

Thanks to a political party and its usual eye-balls grabbing efforts, “shastra-puja” or weapons-worship on Vijaya Dashami day is being discussed. So what is “shastra-puja” and its relevance if any?

The origins of this can be seen in the epic Mahabharata. According to the epic, when the Pandavas lost in the game of dice with the Kauravas, their cousins, they were supposed to spend twelve years in exile and the thirteenth year was supposed to be in agyantvas – to be spent in total anonymity without being recognized. When the Pandavas entered into the thirteenth year, they hid their weapons in a Shami tree, before disguising and entering kingdom of King Virata. On the day of Vijaya Dashami, and also the end of their agyantvas, they retrieved their weapons from the Shami tree and performed a ritual worship of the weapons. They then, identified themselves as Pandavas and defeated the Kauravas who had attacked King Virata. Since then, it has been a practice for Kings to perform shastra-puja on the day of Vijaya Dashami – which is also the symbol of victory of good over evil.

CRPF Personnel performing
Sharstra-Puja
Over a period of time, this shastra-puja is undertaken by many who deal in weapons and also implements. People in Security agencies, army and other forces and even business men who have heavy plants and machineries perform the puja as a ritual.

How a political party benefits from “shastra-puja” can be anybody’s guess, except for a political gain. But thanks to some elements I get my topics to write!

Here’s wishing all my readers a very happy Dasshera & Vijaya Dashami!

Wednesday, October 5, 2011

Navratri - Forms of Goddess - Part 2

In the earlier article we read about three important forms of the Mother Goddess during Navratri - here are the other two important forms of the Goddess -

The eighth day of Navratri is associated with Goddess Bagala – Bagala or Bagalamukhi, or ‘crane-faced’ is a form of the Mother goddess. Some also interpret the name with bridal face, implying the face which has the power to attract attention, like all brides. The worship of the goddess is generally in the tantric form when opposite behavior is warranted. The worship enables opposite reaction of what is normal, implying that she has the power to turn speech into silence, movement into motionless, power into impotence, etc. It is this reason why she also referred to as “stambha-shakti” the power to stun. Her worship is very ritualistic and a lot of care is undertaken in the rituals, as any error could earn the wrath of the goddess. There are quite a few temples of the goddess and the greatest boon that one can receive on worshipping at the temple of Bagala devi is to have worshipped all the 330 million gods in the Hindu pantheon just by worshipping at her temple. One of the myths associated with the goddess is that once a huge storm waged on the earth threatening to swallow the whole earth. All the gods assembled and prayed to Bagala Ma, who appeared and calmed the storm. Another legend says that the goddess defeated an asura to protect Dharma. She is supposed to have pulled out the tongue of the asura who begged for forgiveness – implying that unwanted speech or discussion is a threat to religion and the goddess does not forgive such people. In the ancient times animals were sacrificed during the ritual worshipping and some say that the practice is followed even now.
The ninth day is associated with Goddess Matangi – Matangi is again a ferocious aspect of the goddess and again a form worshipped in the tantric form. Matangi is the tantric goddess of speech and the knowledge of arts like music, etc. and is thus as the ‘Tantric Saraswati’. She is generally worshipped to gain supernatural powers and a victory over enemies. The myths associated with Matangi are very similar to the ones of Sati or Kali, but the details of the myths are not very elaborate. However, different tantric texts also relate many other myths which are replete with sexual undertones (which are not being mentioned here as the same have not been verified by me). Some texts have also compared her to an outcaste, a ‘chandala’, and thus sometimes she is also referred to as Chandalini. Some say, that she was the daughter of Sage Matanga, who was an outcaste but became a rishi with his penance and thus Goddess Saraswati was born as his daughter, which was goddess Matangi. Different texts have said different things about Matangi, but what is common to all is her ferocious aspect.
This brings us to the end of the Navratri. Tomorrow is Vijaya Dashami – a time to celebrate the victory of good over evil. For more on this, please check my earlier article –

Monday, October 3, 2011

Navratri - Forms of Goddess

The Navratri is the celebration of the Mother Goddess cult in India. It involves the worship of the primordial female energy, the energy which gives birth to new life and generative power. The worship of mother goddess cult can be seen all across the world in different forms.
Egyptians worshipped Mut, Isis and a few others, the Babylonians worshipped Tiamat, and the Sumerians worshipped Innana. The Greeks had the cult of Cybele, besides the worshipping of Gaia and Rhea. Similarly, the Irish, the Nordic and all the major cultures of the world had the concept of a mother goddess cult. So what is behind the cult of Mother Goddess that is so prevalent across the world which has some cultures still following the rituals associated with it?
In all major cultures, creation was either by a single unidentified (or not so distinctly clarified) principle or a male principle with the help of a female principle, but the initiation was by a single dominant force which ‘seemed’ to be male. But the successive generations came with the help of a female principle for both human beings and other living organism. Even if science had not proven that this union was necessary, this had been assimilated well by the primordial man, and thus emerged the significance of the cult of a goddess who soon took the form of a Mother Goddess. The concept of mother goddess was also similar to the concept of Earth goddess in many cultures, which takes one back to the principle of fertility and the concept of fertility goddesses and rituals associated with it.
Here, this Navratri, let us understand the different forms of the goddess –
The fourth day of the Navratri is associated with Godess Bhuvaneshwari – Bhuvaneshwari is one of the important forms of the Mother Goddess, who is responsible for giving a form and shape to the universe. She gets her name from the words ‘bhuvan’ meaning universe and ‘eswari’ meaning the ruler. She is invoked by uttering “Hreem” which is considered to be as powerful as the “Om”. She is always depicted as smiling and two of her four hands are always in the blessing form. She is bedecked in gold jewelry and is supposed to be residing in “manidwipam”, a land of gold, silver and jewels, which is guarded by powerful gods like Agni, Vayu amongst others. She is a giver of boon, which not only includes material forms, but also knowledge, health and happiness. She thus seems to be the embodiment of later goddesses like Saraswati, Lakshami and even Parvati.
The fifth day of the Navratri is associated with Chinnamastaa – Chinnamastaa or Chinnamastika is a ferocious aspect of the Mother goddess cult. The depiction of Chinnamastaa is often quite gory and repulsive as it is shown as a self-decapitated goddess holding her severed head in one hand and a small sword in the other hand with jets of blood flowing from her neck, which again is being drunk by two of her attendants (Dakini and Varnini) and herself! She is often depicted as standing on a copulating couple. Chinnamastaa is associated with the Tantrik form of worshipping and is seldom associated with individual worship, and temples of her are found in the Northern parts of India and Nepal. The ferocious and the gory form are associated with self-sacrifice and self-control – self-control of sexual energy at the same time as the epitome of sexual energy, depending on the interpretation. There are different versions to this form of the goddess. According to one, Parvati was once having a bath in the river Mandakini and while bathing she gets so aroused sexually that she turns black. Around the same time her attendants feel very hungry. Parvati tells then that she would give them food when they reached home, but later relents to their hunger, by severing her head and feeding the attendants with her own blood. The myth brings out the element of motherhood curtailing the sexual hunger of her own self. There are different versions to this myth, but this seems to be the most apt, if we go with what the goddess stands for. The significance of the copulating couple can be seen as the concept of sexual energy giving birth to life, along with the urge to suspend the energy for the call of motherhood which needs to be able to sustain even if it meant to satiate that urge with one’s own blood! (There may be many more esoteric and philosophic explanations besides this, but let’s keep the matter sweet and simple)
The sixth day of the Navratri is associated with Bhairavi – Bhairavi is another terrifying form of the goddess which sometimes gets confused with the Kali form of the goddess. Bhairavi is also referred to as Baala or Tripurabhairavi and as part of the nine day battle waged by Goddess Durga, when she entered the battle field, the asuras ran away in fear. She however, killed the two fearsome asuras Chanda and Munda and thus is also referred to as Chamundeshwari. Besides the two, she is also supposed to have killed two of the most important asuras - Shumbha and Nishumbha. Bhairavi, is shown on a donkey when angry.
At the end of the day, these are different form of the same Mother Goddess, i.e. Goddess Durga.

Wednesday, September 28, 2011

A Short Story

One of my short stories (non-mythological!) has been published in Litizen (again not my Blog)! Do read and send in your comments!! Happy reading!
To read - click
The Lipstick-Stained Cup
 
http://www.litizen.com/StoryReading.aspx?StoryId=63
http://litizen.wordpress.com/2011/09/27/the-lipstick-stained-cup-by-utkarsh-patel/