A Blog on Mythology and occasionally on Reality.
This is a Blog on Mythology, both Indian and World and especially the analysis of the myths.
In effect, the interpretation of the inherent Symbolism.
Monday, November 2, 2015
Is mythology religion? – A deconstruction
Tuesday, October 27, 2015
Friday, October 9, 2015
Thursday, September 10, 2015
Many ask me, how is “Shakuntala – the woman Wronged” different from Kalidasa’s Shakuntala.
Here is an extract from the Introduction of the book –
“………what is lesser known is that Shakuntala is one of the first female characters to appear in the epic Mahabharata written by Maharishi Ved Vyasa. Shakuntala’s story is told in the Sambhava Parva part of the Adi Parva of the Mahabharata. The story is recited by Vaishampayana to Janamejeya. This tale from the Mahabharata was taken by Kalidasa and recreated in his own way into one of the most romantic plays of all times. Many of his other plays were also based on mythology, like Kumarasambhava, Raghuvamsham, Meghaduta, etc.
However, there is a big difference in the original characterization of Shakuntala by Vyasa and the dramatic representation by Kalidasa.
Vyasa’s Shakuntala is the precursor to many of his later heroines in the Mahabharata—strong, decisive and fiery. She had a mind of her own and could stand her ground against the mighty king of Hastinapur, King Dushyant. Also, Dushyant is a king of little character and displays rather loose morals in Vyasa’s Mahabharata, instead of someone who suffers from temporary amnesia as represented by Kalidasa in his version. The major difference, however, is the character of Sage Durvasa.
Sage Durvasa is an invention of Kalidasa, whose curse brings on the dramatic forgetfulness, leading to all the troubles in the life of Shakuntala. It also gives Dushyant the much-needed excuse to reject his wife, which, in the original version of Vyasa, is a breach of morality and a sign of his lusty escapade with Shakuntala.
Vyasa’s Shakuntala knew the background of her birth and understood its repercussions. She stood her moral ground when the king refused to recognize her and ensured that she won justice by the sheer ability of her reasoning and straightforwardness. Vyasa’s Shakuntala is not a damsel in distress shedding copious tears; she fights for her right and gets her way, and does not succumb to the man, irrespective of his position and stature. She was amongst the first women in the Mahabharata to fight for her rights in a man’s world and get her due.”
My Shakuntala is based on Vyasa’s version from Mahabharat.