In an earlier
article, I had mentioned how Hindu mythology has played a very significant role
in the Indian Independence movement (dated Aug 14, 2010). The then freedom fighters had made a very creative usage of themes
from mythology to express to their fellow-Indians the plight of the country.
The depiction of
Bharat Mata, a personification of Mother Goddess, in chains has been a
recurring theme in many a poster or old movies. With a budding printing
industry, owned by the Indians, patriotic themes were transformed into images
which were more evocative, expressive and communicative.
I would like to
take one such instance which is supposed to have had a huge impact on people in
those days, and that is the myth of
Markandeya. According to this myth, Rishi Mrikandu and his wife Marudmati
were devotees of Lord Shiva but didn’t have any children. They worshipped Lord
Shiva and sought the boon of a son. Shiva gave them a choice of an intelligent
son with a short span of life or a not-so-intelligent son with a long life. The
Rishi opted for the first option and soon they were blessed with a son, who was
named Markandeya, who was destined to die on his sixteenth birthday.
A Painting by Raja Ravi Verma |
When Markandeya learnt
about his impending death, he created a powerful mantra which is known as the Maha Mrityunjaya Mantra, an incantation
which could win over death. On his sixteenth year, Markandeya embraced the shiva-linga and uttered the Maha Mrityunjaya Mantra non-stop. When
the messengers of Yama, the god of death, came to take him they were unable to
take him due to the power of the Mantra. This made Yama himself come to take
Markandeya’s life. In his anger he threw the death-noose at Markandeya, which
unfortunately fell on the shiva-linga.
This angered Lord Shiva to no end and he rose from the linga to rebuke Yama. After a battle between Shiva and Yama, in
which Yama lost, Markandeya was made immortal. Shiva is thus also known as Kalantaka or one who ends death. Since
then it is also said that the continuous utterance of the Maha Mrityunjaya Mantra, keeps death away.
In the adjoining picture, we can see the same myth being used for a different purpose.
A close scrutiny of the picture shows Bharat Mata in place of Markandeya who is
seeking divine intervention from the evils unleashed by the British (who replace
Yama here and are thus compared with death). From the shiva-linga emerges Gandhiji who was seen as a saviour in those
days. Gandhiji is shown with four hands, and each hand has aspects associated
with him, his charkha, the spindle
and his most important weapon, his writings, which are shown in the form of a
newspaper. The four hands and the crescent moon on his forehead lend him a
divinity due to the enormous task he had undertaken, that of eliminating the
British from India. Another significant change is that Yama’s bull gives way to
a cow in the second picture, which is again a sacred animal for the Hindus and
a British sitting on it would have raised the passions of an ordinary Indian
adequately.
Such imagery was
perceived as a necessity in the pre-Independence days, as many were not
educated enough to read the articles written by the stalwarts of the Freedom
movement. Also, many of the writings were either not printed and if printed,
were soon banned. Further, in India everybody is well aware of their myths and
any association with such myths always has an easy recall and an immediate understanding.
Such deification might not go down well in modern India, but way back then;
such instances were not seen as an act of sycophancy, but sheer need to
communicate with the masses which was largely illiterate.
This is one of
the best examples of how mythology served such an important function in our
Independence movement, especially at the grass-root levels. India was a land of
many languages and writing and translating articles in many languages to all
sets of people was a herculean task when information dissemination was not a
simple activity as it is today. In such a scenario, a single picture could do
what thousand words couldn’t.
With this,
here’s wishing all my readers a very happy Independence Day!!
thanks so much for the article. I was wondering where this painting of bharat mata and gandhiji can be found. Do you know who sketched it?
ReplyDeletethanks again
Pls refer to a book "'Photos of the Gods': The Printed Image and Political Struggle in India". Such and many more similar and interesting photographs can be found there.
ReplyDeleteYou can refer to the article dated 26/Jan/2013 also for such photographs.