A Blog on Mythology and occasionally on Reality.


This is a Blog on Mythology, both Indian and World and especially the analysis of the myths.

In effect, the interpretation of the inherent Symbolism.


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Showing posts with label Yudhistir. Show all posts
Showing posts with label Yudhistir. Show all posts

Wednesday, March 8, 2017

Does a society learn from its past?

Does a society learn from its past? Past mistakes to be precise? Has our nation learnt from the gut-wrenching incident of a Nirbhaya on a fateful night of December 2012? Have rapes and murders of women stopped? Have the changes in law brought any respite to a woman? Is she more secure today?

At the cost of repetition, does a society learn from its mistakes? No, it seldom does.

All of us are well aware of the episode of Draupadi’s vastraharan or disrobing after she was lost in the dice game, by her husband, Yudhishtir. Many say that it was this that led to Kurukshetra, while some say, it was Draupadi’s laughter at Duryodhana at Indraprastha. Irrespective of it, the society blames Draupadi for the war. But going back the episode of the disrobing; an effort is made to disrobe Draupadi and her husband/s say nothing. They remain mute observers, as they were supposed to be following the dharma of a slave! Allowing ones wife to be stripped in public and not stand by her, could never be part of any dharma, was forgotten by none other than Dharma-raj himself.

One would think that such an experience would be enough to last a lifetime for a person like Yudhishtir, right? Wrong!

Let me relate another incident that happens after sometime and Yudhishtir behaves in the same way, as he did earlier and thus my concern – does society ever learn?

After the Pandavs lost everything in the dice game, in spite of Draupadi winning everything back with her arguments and invoking humanity, in the court of Hastinapur, the Pandavs are sent to exile for twelve years and an additional year incognito, i.e. in disguise. If they were found out in the thirteenth year, then they would have to go for another thirteen years in exile.

During the thirteenth year, the Pandavs and Draupadi decided to take refuge at the court of Virata, all in disguise. Yudhistir becomes the advisor to the King and Draupadi becomes one of maids of the Queen Sudeshna of Virata. However, Draupadi’s beauty attracts the evil gaze of the Queen’s bother Keechaka, who is also the powerful army chief. Draupadi tries to stall his advances, but is unable to do much when the Queen herself insists that she give in to her advances. Queen Sudeshna once forced Draupadi to take wine for Keechaka in his chambers. Once there, Keechaka tries to molest her and Draupadi to avoid his advances runs away from his chambers and lands up in the court seeking protection from the king and her husband, Yudhishtir, who was present in the court.

Keechaka follows her to the court, and seizing her by her hair throws her down on the earth, kicked her in the very presence of the King, and of course her husband Yudhishtir. Draupadi urges the King to intervene and save her from the mighty Keechaka who has been casting evil eye on her, a married woman, all this while hoping Yudhishtir would intervene. While the King didn’t know how to react, as Keechaka was his brother-in-law and a general, the courtiers applauded Draupadi’s stance of seeking justice in an open court against the wrong-doings of Keechaka, which were well known. To Draupadi’s horror, Yudhishtir speaks and scolds her for disturbing the proceedings of the court and bringing such complaints in front of everybody. He further tells her not to put up an act and go back to the inner chambers of the Queen and not come back with such lamentations to the court, especially when a dice game is on!
Draupadi in Virata's palace, by Raja Ravi Varma

While many say, that Yudhishtir said this as he did not want to risk being recognized in the crucial thirteenth year, the fact remains, that once again Draupadi was insulted and once again her husband did not come to her help. I repeat, does the society learn from its past mistakes? While Yudhishtir could have managed to save Draupadi with some of his advise and that too in a court which was averse to Keechaka, Yudhistir decided to reprimand Draupadi for ‘wasting the time of the court’.

Misplaced sense of duty or selfish agenda, or both?

On this Women’s day, I urge people to stand up for women, irrespective of one’s political and ideological affiliations. A woman’s dignity is of prime significance and no crime on her part can justify, lynching, molestation and public humiliation and in modern times, social media trolling. The society has no right to breach codes of morality both written and unwritten. This society has enough Keechaka’s and Sudeshna’s, but it is the responsibility of every citizen to stand by a woman, irrespective of her ‘crime’. It’s time to pull down curtains on the age-old lip-service that a woman is a mother and goddess and she needs to be worshipped. A woman doesn’t need to be worshipped; she needs to be respected for who she is – an individual. While today’s woman can take care of herself, if a man stands by her, it would only act as a fillip.

And finally, men, don’t be Yudhishtirs, be a Bhima. Just to conclude the story, Draupadi goes to Bhima and relates everything. Next night Bhima kills Keechaka. Bhima stands by his wife.

If a woman is safe, everyday will be a woman’s day; if she is not, what's the big deal in celebrating it even for one day?





Wednesday, January 22, 2014

Nala Damayanti – Concluding Part



In the previous part we read about the love story of Nala Damayanti, how they met, married and separated and met again to live happily ever after. 

Let us look at the significance of this tale and its placement from a narrative perspective.



When Yudhishtir had lost his kingdom and he was sent to exile for thirteen years along with his four brothers and Draupadi, he was suffering from extreme self-pity. He could not reconcile with what he had done and how his actions had led to the pitiable state of his brothers and wife. It was important to bring him out of the self-pity mode and have him overcome this grief, which was being made evident in his brother’s eyes and Draupadi’s untied hair.



While in exile Sage Bhardwaj comes to meet the Pandavs and in his moment of self-pity, Yudhishtir asks the sage, if there was any king before him, who was as unfortunate like him, who had lost his kingdom and everything and was driven out to exile. He felt that there was none as unfortunate as him and though he followed the path of Dharma, he was in such a sorry state. It is at this stage that the sage tells him this story and makes him realize that he was still better off, as he had his brothers and his wife with him, while Nala was all alone.



The similarities between Nala and Yudhishtir were quite striking. Both had beautiful wives, both had a weakness for the dice and both were not very good at it and both lost their kingdoms in the game of dice. In the case of Yudhishtir, the dice were doctored by Shakuni and in the case of Nala, Kali had played foul. At the end of the game, both are driven to exile, while Nala spent twelve years in exile, Yudhishtir had an additional year.



Nala became the charioteer of the King of Ayodhya and Yudhishtir became the personal assistant of King Virata. What is equally significant is that during exile both Nala and Yudhishtir master the skill of playing dice with the respective kings that they were serving. Nala’s disfigurement could be seen as similar to the last year of disguise that Yudhishtir had to undertake while serving King Virat, just as Draupadi was serving the Queen in disguise similar to Damayanti serving the Queen without their knowledge of who the two ladies were.



It is said that when Nala lost everything at the game of dice, his brother had suggested that he stake Damayanti, but Nala declined. While here Nala differs from Yudhishtir, Nala still does stake Damayanti later. Both do stake their wives, one out of sheer desperation, while the other out of confidence; one when his was weak while the other when he was strong in the game.



According to Dr. Pradip Bhattacharya, a prolific writer on Mahabharata, the tales have an important difference. The tale of Nala Damayanti is a pure romance with all the romantic trappings. It stands out to be a stark difference from the original flow of the epic, especially in the treatment of Damayanti and Draupadi. While Draupadi’s character is strong and determined, Damayanti comes out as a soft and a quiet woman, thought she occasionally does display the typical traits of a ‘Vyasan’ woman, like when she refuses the gods to marry Nala. This could be a case of the story being told by a young Vyasa! The initial wooing through a swan, the magical powers of Nala the pining of Damayanti, are all a case of a classic romantic tale and that sure does make a significant diversion from an otherwise mature tale of the Pandav’s in the epic.



The tale of Nala Damayanti has been rewritten in many forms as standalone romance and I too came across the tale as a romantic story that warmed the cockles of my (then young) heart!!



But as I mentioned at the beginning of the article, one shouldn’t miss the significance and the positioning of the story in the epic, which had its own rationale in the narrative.